Content 2010, Volume 15

• Issue 1

  • Preface, Michiel Schuijer    [PDF]
     
  • Clouds and Circles: Rotational Form in Debussy’s ‘Nuages’, James Hepokoski    [Abstract]  [PDF]
     
  • Time and Money: A New Look at the Mathematical Foundation of the Ars Nova, Dorit Tanay    [Abstract]  [PDF]
     
  • Temporal Aspects of Renaissance Polyphony: Theoretical and Analytical Considerations, Simon van Damme    [Abstract]  [PDF]
     
  • ‘Ut luna’: The Moon and the Mensuration Signs in Renaissance Music, Katelijne Schiltz    [Abstract]  [PDF]
     
  • Riding the Horse: Time as a Form Generator in Frescobaldi’s Toccatas, Massimiliano Guido    [Abstract]  [PDF]
     
  • Historic Proportions: A Look at Felix Salzer’s Historical Narrative and Two Analyses of Ockeghem’s Chanson Je n’ay dueil, John Koslovsky    [Abstract]  [PDF]
     
  • From Bars to Inches (to Seconds): Timekeeping in the Music of John Cage, Jochem Valkenburg    [Abstract]  [PDF]
     
  • The Drift of Time in Elliott Carter’s Anniversary, Tiina Koivisto    [Abstract]  [PDF]
     

• Issue 2

  • “Japanese in Tradition, Western in Innovation”: Influences from Traditional Japanese Music in Toru Takemitsu’s Piano Works, Niels Chr. Hansen    [Abstract]  [PDF]
     
  • For Whom the Bells Toll: A Polyphonic Fragment in Thomas Mann’s Der Erwählte, Sabine Lichtenstein    [Abstract]  [PDF]
     
  • Leren componeren leren?: Praktijk en methodiek in het Nederlandse compositieonderwijs, Claudia Rumondor    [PDF]
     
  • Boekbesprekingen:
  • Michiel Schuijer, Analyzing Atonal Music: Pitch-Class : Set Theory and Its Contexts, Jonathan Dunsby    [PDF]
     

• Issue 3

  • The Poetics of Music Theory and the Writings of Rameau and Hauptmann, Maryam A. Moshaver    [Abstract]  [PDF]
     
  • The French Time Devices Revisited, Beverly Jerold    [Abstract]  [PDF]
     
  • ‘A far higher power’: Gedanken zu ideengeschichtlichen Vorgängermodellen der pitch-class set theory, Stephan Lewandowski    [Abstract]  [PDF]
     
  • Boekbesprekingen:
  • Tobias Janz, Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners Ring des Nibelungen, Kasper van Kooten    [PDF]
     
  • Kiene Brillenburg Wurth, Musically Sublime: Indeterminacy, Infinity, Irresolvability, Barbara Titus    [PDF]
     

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