Content 2007, Volume 12
Issue 1
- Special Issue: Practice-based Research in Music, Henk Borgdorff, Marcel Cobussen [Abstract] [PDF]
- The Debate on Research in the Arts, Henk Borgdorff [Abstract] [PDF]
- The Trojan Horse: Epistemological Explorations Concerning Practice-based Research, Marcel Cobussen [Abstract] [PDF]
- The Marriage of Art and Academia: Challenges and Opportunities for Music Research in Practice-based Environments, Huib Schippers [Abstract] [PDF]
- Performer and Research, Jurrien Sligter [Abstract] [PDF]
- Knowledge in Musical Performance: Seeing Something as Something, Tom Eide Osa [Abstract] [PDF]
- Practising Research – Researching Practice, Colin Lawson [Abstract] [PDF]
- Questions Not Answers: the Performer as Researcher, Bruce Brubaker [Abstract] [PDF]
- Researching and Developing Performance Practice in Late Medieval Chant, Hendrik vanden Abeele [Abstract] [PDF]
- Performance Communication: Skills and Insight for Classical Singers, Kristin Kjølberg [Abstract] [PDF]
- New Sound Realms, Techniques and Improvisational Directions for the Baroque Flute, Amara Guitry [Abstract] [PDF]
- Music from Some(no)where, Here and There Reflections over the Space of Sounding Compositions, Paul Craenen [Abstract] [PDF]
- Interactive Systems in Improvisation and Composition: a Work in Progress, Henrik Frisk [Abstract] [PDF]
- The Faces of Väinämöinen – the Kantele as a Symbol: Artistic Postgraduate Study, Timo Väänänen [Abstract] [PDF]
- Boekbesprekingen:
- George Odam & Nicholas Bannan (eds), The Reflective Conservatoire: studies in Music Education, Constantijn Koopman [PDF]
- Jane W. Davidson (ed.), The Music Practitioner: Research for the Music Performer, Teacher and Listener, Yves Knockaert [PDF]
- Roger P. Phelps, Ronald H. Sadoff, Edward C. Warburton, Lawrence Ferrara, A Guide to Research in Music Education, Ninja Kors [PDF]
Issue 2
- Schenker en Bach: Wat kan Schenkeriaanse analyse betekenen voor een uitvoerend musicus?, Paul Scheepers [Abstract] [PDF]
- Discontinuity and Performance: The Allegro appassionato from Brahms’s Sonata Op. 120, No. 2, Ryan McClelland [Abstract] [PDF]
- Intonation Standards and Equal Temperament, Beverly Jerold [Abstract] [PDF]
- Boekbesprekingen:
- Eric F. ClarkeWays of Listening: An Ecological Approach to the Perception of Musical Meaning, Simon van Damme [PDF]
- Ulrich Kaiser & Carsten GerlitzArrangieren und Instrumentieren: Barock bis Pop, Patrick Schenkius [PDF]
- Clemens KühnMusiktheorie unterrichten – Musik vermitteln: Erfahrungen – Ideen –methoden, Daniel Salbert [PDF]
- Discussies:
- Muziek en taal: Taal ijlt, muziek verwijlt, Herman Sabbe [PDF]
Issue 3
- Beyond the Interpretation of Music, Laurence Dreyfus [Abstract] [PDF]
- Thought-Provoking Dissonances: Remarks about Machaut’s Compositional Licences in Relation to his Texts, Jacques Boogaart [Abstract] [PDF]
- Boekbesprekingen:
- Yayoi Uno EverettThe Music of Louis Andriessen, Maarten Beirens [PDF]
- Ethan HaimoSchoenberg’s Transformation of Musical Language, Kristof Boucquet [PDF]
- Rohan H. Stewart-MacDonaldNew Perspectives on the Keyboard Sonatas of Muzio Clementi, Rudolf Rasch [PDF]
- Discussies:
- De editieparadox, Rudolf Rasch [PDF]
