Content 2002, Volume 7

• Issue 1

  • Rationalis, non Vocalis: Johannes Kepler en de Harmonie der Sferen, Dirk Griffioen    [Abstract]
     
  • Sophisticated Simplicity: a Study of Text and Music in the Early Songs of Georges Brassens, Simon P. Keefe    [Abstract]
     
  • Een zestiende-eeuwse variatie op het Ma fin est mon commencement-thema: Adriaan Willaerts Homo quidam fecit, Katelijne Schiltz    [Abstract]
     
  • Musiktheoretische Unterweisung in der Seminaristenausbildung: Zwei Beispiele zur musikalischen Handwerkslehre im 19. Jahrhundert, Christoph Hust    [Abstract]
     
  • Set-theorie, Toonklok en de P-techniek voor componisten, Maarten van Norden    [Abstract]
     
  • Boekbesprekingen:
  • Sebastian Claren, Neither: Die Musik Morton Feldmans, Paul van Emmerik  
     
  • Eddie Vetter, Concentrische cirkels. Modus, affect, sfeer en tijd in een middeleeuws muziektheoretisch gedicht, Mariken Teeuwen  
     

• Issue 2

  • Musical design and siginification in Writing to Vermeer (1997-99), Yayoi Uno Everett    [Abstract]
     
  • Schneker analyse en onbegeleide melodie II [Schenker analysis and unaccompanied melody II], Hans Maas    [Abstract]
     
  • Russian Bells: from Symbol to Harmonic Model, Svetlana Neytcheva    [Abstract]
     
  • Boekbesprekingen:
  • Cristle Collins Judd, Reading Renaissance Music Theory: Hearing with the Eyes, Katelijne Schiltz  
     
  • Joseph N. Straus, Stravinskys late Music, André Douw  
     
  • Discussies:
  • History of Theory in Practice, Peter Schubert  
     
  • Teaching counterpoint with Kirnberger, Marpurg and Bach. A response to Peter Schubert, Paul Scheepers  
     
  • Questions and memories A response to Peter Schubert, Dirk Cornelis  
     
  • Some answers to Paul Scheepers and Dirk Cornelis questions, Peter Schubert  
     
  • Polyfonie en componeren, Diderik Wagenaar  
     
  • Rechtfertigung durchs Melodische allein? Structuurprincipes in Arnold Schönbergs vrij-atonaal contrapunt, Stephan Weytjens  
     

• Issue 3

  • Introduction. Seven times around a future of musicology, seven times around music and ethics, Marcel Cobussen    [Abstract]
     
  • A Prelude to Musical Ethics, Lawrence Kramer    [Abstract]
     
  • Variations on a Prelude: Commentary on Lawrence Kramer's ethical interpretation of Chopin's Prelude in Bb major, Rokus de Groot    [Abstract]
     
  • On Ethics and Musicology, Susan McClary    [Abstract]
     
  • From 9-11 to 02-02-2002. When Music(ology) Signifies, Joke Dame    [Abstract]
     
  • Response to Joke Dame, Susan McClary  
     
  • To Speculate On Music and/as the Sound of Différance, Geraldine Finn    [Abstract]
     
  • I sing the body, Ruud Welten    [Abstract]
     
  • Witness, Geraldine Finn  
     
  • The Ethical Nature of Musicological Fractals, Mirjana Veselinovic-Hofman    [Abstract]
     
  • Amongst others, Sander van Maas    [Abstract]
     
  • Letter to an Amsterdam Friend I, Mirjana Veselinovic-Hofman  
     
  • Letter to an Amsterdam Friend II, Marcel Cobussen  
     
  • Van Dissonant tot Tone Cluster [From Dissonance to Tone Cluster], Thérèse de Goede    [Abstract]
     
  • Structure and Interpretation of Rhythm and Timing, Henkjan Honing    [Abstract]
     
  • Boekbesprekingen:
  • Arjan van Baest, A Semiotics of Opera, Jurrien Sligter  
     
  • Gary S. Karpinski, Aural Skills Acquisition, Paul Scheepers  
     
  • Doris Geller, Modulationslehre, Hans Maas  
     
  • Discussies:
  • Mannes Summer Institute 2002 on Schenkerian Theory and Analysis, Clemens Kemme  
     
  • Conservatory Schenker vs. University Schenker, William Rothstein  
     

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